history of the navajo Social Song & Dance
In the summer of 1978, during Nidaa', the concept of the Diné (Navajo) Social Song and Dance first emerged. A group, including Thomas Joe, Raymond Begay, Roger Manuelito, Roy Etcitty, Everett Etcitty, Harry and Alice Sims, Woody Johnson, Leo Johnson Sr., Clyde Begay, Raymond Fulton, Thomas Blackhorse, and later Freddie Pettigrew, would gather. They discussed hosting events that emphasized the importance of traditional culture in their children's lives, sparking the idea for a mini-Nidaa'. This initiative aimed to revive traditional attire and turquoise jewelry among the Diné.
The plan was initially put on hold but gained momentum again, leading to its inclusion at the 1979 Shiprock Navajo Fair, north of the bridge, a location confirmed with Donald Benally of the Shiprock Chapter.
Preparations involved consultations with medicine men from Lukachukai, Sweetwater, and Shiprock. They advised against using sacred songs, genuine buckskin for drum covers, or clay drums, suggesting alternatives like cans with rubber tire tubes. Specific dances from the Apache and other origins were prohibited, preserving the sanctity of the Enemy Way Ceremony.
The planning persisted, and with support from Reynold Harrison, then director of NCC College, the first three Song and Dance events were sponsored at the fair. These events provided trophies to the winning dancers and certificates to singers.
The format of the event evolved to include grand entries, flag songs, and participant judging. Initial events at the San Juan Bridge had no admission fee to ensure it was a memorable experience for all.
Participation expanded with seven initial groups, including the Klagetoh Singers, Rock Point Singers, Bitahochee Travelers, Atsa' Bitai Singers, San Juan Singers, Four Corner Singers, and Nataanii Nez Singers, setting a precedent for other groups to form. By 1981, twelve groups participated in the Navajo Nation Fair, introducing the Song and Dance Event widely.
The event's administration became more organized with the election of officers and the introduction of membership cards, which provided benefits like admission discounts. The focus was on community support through "Benefit Events," aiding families in need, among other causes.
By the 1980s, each agency developed its own officers and event schedules, fostering a broader adoption of the Song and Dance across regions. Special events like the Veteran Special and Birthday Special were introduced, enriching the cultural fabric of these gatherings.
Today, these events continue to be a vibrant expression of community and tradition, supported by various health services for their benefits to participants' wellness.